Analogues

The poetry that survives from the First World War owes much to previous genres and styles. However its power, cynicism, and realism, has made it one of the most popular and emotive areas of literature. 

The long-reaching effects of the First World War and its ensuing literature can be found in such works as Ted Hughes's 'Six Young Men', Joan Littlewood's Production of the play Oh What a Lovely War (later turned into a highly successful film by Richard Attenborough), Erich Remarque's All Quiet on the Western Front, and Robert Graves's autobiography which gives a truly vivid account of trench warfare Goodbye to All That.

The Great Tradition

The 1914–18 War produced a wealth of poetry which has since been assimilated into the Canon of English Literature and established as Great Poetry. This poetic response to war covers a range of moods from early sentimentality and patriotism through to cynicism, resignation, and the angry depiction of horror. Rosenberg is numbered among the Great Poets of the War; others include Wilfred Owen, Rupert Brooke, Siegfried Sassoon, and Robert Graves. Their poetry, though varied, conforms to the tenets of the Great Tradition of English Poetry in that it is representatively masculine in its vision of reality, and draws upon the forms and imagery of earlier poets within the Tradition. Throughout this program works by various World War One poets (as well as Rosenberg) are included in their appropriate context. However, for the moment, here are three poems which show the variety of emotions expressed in the literature that emerged throughout the four years.

If I should die, think only this of me:
That there's some corner of a foreign field
That is for ever England. There shall be
In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
Gave, once, her flowers to love, her ways to roam,
A body of England's, breathing English air,
Washed by the rivers, blest by suns of home.

And think, this heart, all evil shed away,
A pulse in the eternal mind, no less
Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
And laughter, learnt of friends; and gentleness,
In hearts at peace, under an English heaven.

Rupert Brooke

As the team's head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed an angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war,
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass-flashed
Once more.

The blizzard felled the elm whose crest
I sat in, by a woodpecker's round hole,
The ploughman said 'When will they take it away?'
'When the war's over. So the talk began-
One minute and an interval of ten,
A minute more and the same interval.
'Have you been out?' 'No'. 'And don't want to, perhaps?'
'If I could only come back again, I should.
I could spare an arm. I shouldn't want to lose
A leg. If I should lose my head, why, so,
I should want nothing more...Have many gone
From here' 'Yes'. 'Many lost?' 'Yes: good few.
Only two teams work on the farm this year.
One of my mates is dead. The second day
In France they killed him. It was back in March,
The very night of the blizzard, too. Now if
He had stayed here we should have moved the tree.'
'And I should not have sat here. Everything
Would have been different. for it would have been
Another world.' 'Ay, and a better, though
If we could see all all might seem good.' Then
The lovers came out of the wood again:
The horses started and for the last time
I watched the clouds crumble and topple over
After the ploughshare and the stumbling team.

Edward Thomas

It seemed that out of battle I escaped
Down some profound dull tunnel, long since scooped
Through granites which titanic wars had groined.
Yet also there encumbered sleepers groaned,
Too fast in thought or death to be bestirred.
Then, as I probed them, one sprang up, and stared
With piteous recognition in fixed eyes,
Lifting distressful hands as if to bless.
And by his smile, I knew that sullen hall,
By his dead smile I knew we stood in Hell.
With a thousand pains that vision's face was grained;
Yet no blood reached there from the upper ground,
And no guns thumped, or down the flues made moan.
'Strange friend', I said, 'here is no cause to mourn.'
'None,' said the other, 'save the undone years,
The hopelessness. Whatever hope is yours,
Was my life also; I went hunting wild
After the wildest beauty in the world,
Which lies not calm in eyes, or braided hair,
But mocks the steady running of the hour,
And if it grieves, grieves richlier than here.
For by my glee might many men have laughed,
And of my weeping something had been left,
Which must die now. I mean the truth untold,
The pity of war, the pity war distilled.
Now men will go content with what we spoiled.
Or, discontent, boil bloody, and be spilled.
They will be swift with swiftness of the tigress,
None will break ranks, though nations trek from progress.
Courage was mine, and I had mystery,
Wisdom was mine, and I had mastery;
To miss the march of this retreating world
Into vain citadels that were not walled.
Then, when much blood had clogged their chariot-wheels
I would go up and wash them from sweet wells,
Even with truths that lie too deep for taint.
I would have poured my spirit without stint
But not through wounds; not on the cess of war.
Foreheads of men have bled where no wounds were.
I am the enemy you killed, my friend.
I knew you in this dark; for so you frowned
Yesterday through me as you jabbed and killed.
I parried; but my hands were loath and cold.
Let us sleep now....'

Wilfred Owen

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