Wilfred Owen

'My subject is War, and the pity of War. The Poetry is in the pity.'

Preface

Biography

Wilfred Owen (1893-1918)

Wilfred Edward Salter Owen was born to Thomas and Susan Owen on the 18th of March 1893 near Oswestry, Shropshire. Upon the death of Owens's grandfather in 1897, the Owen family were forced to move from the house he had owned in Oswestry to lodgings in Birkenhead (1898), Merseyside, and it was in the Birkenhead Institute that Owen's education began. In 1907, when Thomas Owen was appointed Assistant Superintendent of the London and North Western and Great Western Joint Railways, the family moved to Shrewsbury where Owen's education continued at the Shrewsbury Borough Technical School. Upon leaving school at 18 Owen spent a period of months working as a pupil-teacher at Wyle Cop School. In the autumn he passed the matriculation examination for the University of London but without the first class honours needed to gain a scholarship. Unable to afford to study, he worked as lay assistant to the Vicar of Dunsden near Reading. In his spare time he also attended University College, Reading, and is known to have studied the diverse subjects of botany and poetry. Between 1913 and 1915 Owen travelled to Bordeaux, France, and taught at the Berlitz School of English. He was actually tutoring in the Pyrenees when war was declared.

Increasingly aware of the scale of the War, Owen returned to England in autumn 1915 and enlisted in the Artists' Rifles. His training was completed in Hare Hall Camp in Essex, but this allowed him time to make trips to London, notably to the Poetry Bookshop run by Harold Monro who he met. On 4th June 1916 Owen was commissioned as a second lieutenant with the Manchester Regiment. In the last days of 1916 he was posted to France. In January 1917 he and his men held a flooded dugout for fifty hours under heavy bombardment. In March, he suffered concussion and spent time in hospital. In April he returned to the front again, only to be caught up in fierce fighting. At one point he was hit by a shell blast at Savy Wood, and lay semi-conscious in a shell crater with the dismembered remains of a friend. On the 30th April whilst on parade he was noted as being 'shaky' and on 1st May he was diagnosed as suffering from shell-shock ('neurasthenia') and evacuated to England.

After a medical examination Owen was sent to Craiglockhart War Hospital in Edinburgh. There he met Siegfried Sassoon, also a patient and already a noted poet. Owen was to gain immeasurably from the friendship which developed between them. Sassoon's poetic voice, with its strong emphasis on realism, influenced Owen's developing style, as the poems 'Dulce et Decorum Est' and 'Anthem for Doomed Youth' demonstrate. This realism and emphasis on experience also played a part in Owens's therapy in Craiglockhart where Arthur Brock, Owens's doctor, encouraged him to translate the experiences he had suffered into poetry. Sassoon both edited and vigorously promoted his work, and brought him into a wider literary circle. An introduction to Robert Graves (a friend of Sassoon's) led to further meetings with, amongst others, Arnold Bennett and H. G. Wells. As he recovered, Owen worked for a short time as a teacher in Tynecastle High School, before returning to light regimental duties, first at Scarborough, then Ripon. It was at Ripon that Owen 'seemed to have composed or revised virtually all his war poems' (Hibberd, 2002, p. 389).

In June 1918 the twenty-five year old officer rejoined his regiment at Scarborough and in August was again posted to France. He was awarded the Military Cross (posthumously) for his leadership and bravery during the attack on Joncourt on the 1st October, storming enemy points and turning a German unit's own machine gun against them. On the 4th of November 1918, leading an attack by the Sambre Canal, near Ors, Owen was killed in action. The news of Owen's death reached his family on Armistice Day.

Owen's poetry was promoted and published by Sassoon after his death, and backed by Edith Sitwell, a proponent of innovative trends in English poetry. In 1931 Edmund Blunden's anthology of Owens's work sent his reputation soaring to new heights, and today Owen is regarded as one of the most talented poets of the period. He is buried at Ors communal cemetery in France.

AuthorStephanie Fishwick. Edited by Stuart Lee
Sources
  • Stallworthy, J. Wilfred Owen: A Biography (Oxford: Oxford University Press, 1977)
  • Hibberd, D. Wilfred Owen: A New Biography (London: Weidenfeld & Nicolson, 2002)

The Wilfred Owen Collection

User Guide for the First World War Poetry Digital Archive on Oxford University's SDS Platform

The SDS (Sustainable Digital Scholarship) platform, powered by FigShare, is a robust digital repository used by Oxford University to host a wide range of academic content. It ensures long-term preservation and accessibility of scholarly resources. This user guide will help you navigate the First World War Poetry Digital Archive stored within this platform.

Navigating the Archive

  1. Select a Category below: Begin by choosing a category from the available tabs below, such as poetry, correspondence, etc. This selection will link you to specific types of documents within the archive.

  2. Accessing Items: Once you click on an item, a new tab will open in your browser directing you to the SDS page containing the selected record. If there are multiple versions of an record, such as a manuscript and a typescript of a poem, the link might direct you to a search result page on SDS where all versions are listed.

    1. Example of the page directly to the record:

       

      Image
      Vera Brittain SDS Guide 3
    2. Example of the page when there are multiple versions of a record:
       

      Image
      Vera Brittain SDS Guide
  3. Browsing Collections: Besides specific searches, you can also browse the entire collections on the SDS platform. This feature allows you to explore additional materials that may not be directly linked to but are part of the First World War Poetry Digital Archive.

Please Note:

  • Accessibility: Archive files from recent years are accessible using assistive technologies. Older files, particularly those scanned from original printed volumes, may not be fully accessible and are recommended to be downloaded for optimal viewing.
  • Access Restrictions: Some documents, especially those containing sensitive information, are only available to university members through a single sign-on account. Publicly available files can be accessed without such restrictions, adhering to data protection guidelines.
  • Assistance Requests: For specific access needs or inquiries, such as obtaining content in accessible formats or accessing restricted files without a single sign-on, please contact the appropriate administrative support via email.

 

Citing and Downloading Records

  • To cite an item, click the 'Cite' button under the item's title in SDS. See below:
Image
Citation User guide

​​​​​​

  • Download Options: You can download files directly from the SDS platform. This is recommended for large files or when a detailed review of documents is required.
Poem titleEarliest date listed
19141914
A New Heaven1917/12
A Palinode1915/10
A Rhymed Epistle To E. L. G.1912/08
A Tear Song1917/12
A Terre1917/12
A Terre (being the philosophy of many soldiers)1917/12
An Imperial Elegy1917/12
Antaeus [a fragment]1917/07
Anthem for Doomed Youth1917/09
Apologia Pro Poemate Meo1917/11
Arms And The Boy1918/05
As bronze may be much beautified1918/05
Asleep1917/11
At A Calvary Near The Ancre1917
Autumnal1917/10
Ballad of Lady Yolande1917/10
Beauty1917/10
But I was looking at the permanent stars1917/10
But It Is Not Enough . . . 
Conscious1918/01
Deep under turfy grass . . .1912
Disabled1917/10
Dulce et Decorum Est1917/10
Editorial for The Hydra: 1st September 19171917/10
Elegy in April and September1918/03
Exposure1917/12
Fragment1917/12
From My Diary, July 19141914/10
Futility1918/05
Golden Hair1918/05
Greater Love1917/10
Happiness1917/06
Has your soul sipped . . .1917
Hide ah! my Flower, hide close: for now the noon1917
Hospital Barge1917/12
How Do I Love Thee?1917/05
I am the Ghost of Shadwell Stair1917/11
I know that I have paid for every drop of pleasure1918
I know the music1918
I saw his round mouth's crimson deepen as it fell1917/11
Impromptu1913/01
Insensibility1917/10
Inspection1917/08
It was a navy boy, so prim, so trim1915
It was the noiseless hour: tremoulous wood1915
Le Christianisme1917/11
Lines to a Beauty seen in Limehouse1917/11
Lines Written On My Nineteenth Birthday-
List of Contents-
Long ages past in Egypt . . .-
Maundy Thursday1915/05
Mental Cases1917/05
Miners1918/01
Mourn for the nights not yet begun1918/01
Music1916/10
My Dearest Colin1911/01
My Shy Hand1917/08
Nocturne1915
O believe that God gives you1912/05
O piteous mistake: o wrong wrong word1912/05
O true to the old equities and sureties1912/05
O world of many worlds1912
On A Dream1913/01
On My Songs1913/01
On Seeing a Piece of our Heavy Artillery Brought into Action1918/05
Page Eglantine1917/11
Perseus1917/11
Perversity1917/10
Poetical Notes1917/10
Points to note about my sonnets1917/10
Preface1917/10
Purgatorial Passions1917/10
Purple1916/09
Reunion1916/09
Roundel1917/05
S.I.W.1917/09
Schoolmistress1918/01
Science has looked . . .1912
Six O'Clock In Princes Street1917/08
Smile, Smile, Smile1918/09
Soldier's Dream1917/10
Sonatas in Silence1917/10
Song1917/10
Song Of Songs1917/06
Sonnet1917/06
Sonnet (Daily I muse on her...)1917/06
Spells and Incantation1918/05
Spring Offensive1918/07
Storm1917/09
Strange Meeting1917/11
Stunned by their life's explosion into love1917
Suggested titles for proposed book of sonnets1917
Sunrise1917
Supposed Confessions Of A Secondrate Sensitive Mind In Dejection1911/09
Sweet is your antique body, not yet young1917/12
The Ballad of Lady Yolande1917/07
The Ballad Of Many Thorns1917/07
The Calls1917/07
The Chances1917/07
The City Lights1917
The city lights along the waterside1917
The Dead-Beat1917/07
The Dread Of Falling Into Naught1912/09
The End1917/07
The End (After the blast of lightning from the east)1916
The Fates1917/07
The Kind Ghosts1917/07
The Last Laugh1918/02
The Letter1917/07
The Nation: 15th June 19181918/01
The Nation: 26th January 1918 / Miners1918/01
The Next War1917/07
The One Remains1917/07
The Parable Of The Old Man And The Young1917/07
The Peril Of Love1917/07
The Poet In Pain1917/07
The Promisers1917/07
The Rime Of The Youthful Mariner1917/07
The Rivals1912
The roads also have their wistful rest1917/07
The Send-Off1917/07
The Sentry1917/07
The Show1917/07
The Sleeping Beauty1917/07
The Swift1917/07
The Swift, An Ode1912
The time was aeon . . .1912 1913
The Two Reflections1912
The Unreturning1917/07
The Women & the Slain1912
The Wrestlers1917/07
To Eros1917
To me fair friend, you never can be old1917/07
To Poesy1909
To The Bitter Sweet-Heart: A Dream1917
To---1917
To?1917
Training1918/06
Unto what pinnacles of desperate heights . . . 
Uriconium, An Ode1913/07
War Diary: 2nd Manchesters1913/07
When late I viewed . . .1913
When on the kindling wood the coals are piled1913
Whereas most women . . .1915
Whither is passed the softly-vanished day1915
Who is the god of Canongate1917
Who is the god of Canongate?1917
Winter Song1917/10
With An Identity Disc1917/03
With those that are become1917/03
Written In A Wood, September 19101910/09